Heritage Stories II: Love & Home with Kheng Hua & Shi An
Could you tell us why you chose to reside in a Shophouse in Joo Chiat?
What’s so special about this place that made you want to own it?
Kheng Hua: I love spaces, and when I buy property, it always has to have ‘ghosts’. What I mean by that, is that if nobody has ever set foot in the place, I won’t buy it. At that time, the Shophouses that were available were very expensive - at Emerald Hill or Blair Road. There were other shophouses but they were not in conservation areas, and then I found this one. It certainly did not look like this (then); it was completely congested because a family worked here! It was a fabrics company, and they lived just upstairs. It was completely congested with fabrics and office stuff when we bought it. And this was nearly 20 years ago when Joo Chiat was not as hip as it is now, but I loved all of that. I've always loved to live near communities.
How did you turn this house into a home?
Kheng Hua: After buying up the place, it looked completely different from this and the first floor was kept basically empty with the hopes of maybe using it for workshops while we just lived upstairs. Shi-An was just a kid then, so she didn’t really need that much space. Within about 2 years, my younger brother who is an architect came back and somehow we really couldn’t make that equation work (working downstairs and living upstairs) so we decided to just renovate the whole place and make it one living space, especially since Shi-An was growing up. I worked with my brother, the architect. We incorporated a lot of elements of all the homes that have been very close to my heart.
The colour of the wood that you see here is in memory of the wooden table that my brother and I used to sit at during Chinese tuition. The grilles I have now are similar to the ones you’d see at my mother’s home - my younger brother came up with this permutation of the grilles. So I think about this house as very much like a living museum of our lives.
A lot of furniture here is either stolen (from relatives), picked up or set pieces from shows. The pieces I’ve bought, have moved with me from my first house.
And then Shi-An became a sort of teenager (laughs) she’s like an old soul; so we made some little renovations. This is like the third incarnation. After the renovation, we made this entire wing and it's basically Shi-An’s ‘home’.
Tell us about your favourite part of your home
Shi-An: I have a staircase inside my room, and there’s like a living area and all. I have my own space within my home. But to be honest I don’t utilise it as well as one would think even though it is a very nice space because I just spend a lot of time with my mother sitting here (in the living room). The living room is like the most open part of the house so we’re just drawn to it more.
Kheng Hua: We’re very home-y people, we’re at home a lot. I love to be at home.
Shi-An: Yeah, I always bring my friends home!
Kheng Hua: If people wanna see me, I’d say ‘hey, come over’, and they all know me (and what I'm like), so they’d basically just come over. I’ve had Sandra Riley Tang stand outside and go ‘Kheng! Kheng! Are you home?’ and I’ll be like ‘Yes! Come in!’ (laughs)
Pictured (left): Kheng Hua's father's bed: split in half and repurposed to become Shi An's bed.
Pictured (right): The other half of Kheng Hua's father's bed is now being used in the guest room.
Was it the same type of relationship between Kheng Hua and Shi-An’s Popo (grandmother)? That sense of evolved closeness?
Kheng Hua: I think the love between me and my mum, and the fact that my mum is very essential to me, is the same. I love her a lot, but my mum is very traditional and her way of showing love is very different. She basically just cooks and then you eat (laughs). We don’t expect her to sit down and give us advice. It’s that sort of parents where they think their children know better, but their job is to cook and to make sure that when we were growing up we were well taken care of. Even until today, she’s like that with the grandchildren too. And Shi-An loves her popo too.
If you could pick a word or phrase that would best describe each other, what would it be?
Kheng Hua: Shi-An. For me, Shi-An is essential.
Shi-An: I would say for my mother, the word is definitely passionate, and that’s like a quality I really, really like, which I don’t have to the same extent. But that’s just my character; her passion is something that makes me feel comfortable in life. I like that energy around.
When do you feel like the best version of yourself?
3 things you value the most?
Kheng Hua: Oh number one for me is peace.
Shi-An: I think same. (laughs)
Shi-An: All I can think of is family.
Kheng Hua: And love.
Peace, Family and Love - is that what “coming home” stands for, as well?
Kheng Hua: Absolutely. For me, when everything gets me down outside, I really want to come home, and the minute I come home I feel peaceful. I’m very lucky. And it’s not just this home, it’s like my mum -I’m really close to her and when I go back home there, I feel very peaceful as well. I’m so thankful that I grew up with a hub of peace that I could always go back to whenever everything out there is going crazy. So I always had somewhere to come back and I want Shi-An to know that she always has a place to come back where nobody’s going to judge her, she can wear whatever she wants or nothing at all (laughs). And do whatever she wants to do with her time, at home. And that it’s just gonna be like that, at home.
Shi-An: Coming home…is also unadulterated comfort, that’s the genuine feeling that I get when I come home.
What are your hopes and dreams for Shi-An as she blossoms into adulthood?
Kheng Hua: It’s the same hope and dream I’ve always wanted for her. I want her to be happy but I want her to contribute to the world in a way that will make her happy and will make the world better. I have a concept and that is to follow your joy. You have to follow your joy because if every decision that you make follows your joy, you’ll always feel more confident.
Shi-An: I think that it’s a good goal that my mother just wants me to be happy and to do something for the world as opposed to having a specific goal or route to take.
Kheng Hua wears the Shophouse Jade Necklace, Shophouse Lumiere Ring and the Shophouse Jade Studs
Shi An wears the Shophouse Jade Donut Earrings, Shophouse Jade Necklace, Shophouse Jade Bangle and the Shophouse Lumiere Ring
Was it a difficult decision for Shi-An to move out of her Shophouse Home, and into her University Hall
because you two are so close, and home is so important to both of you?
Kheng Hua: It’s also important to have an evolved sense of closeness. Like ‘what is closeness?’ I think honesty, and the ability or need to share; I feel that constantly with Shi-An and she knows this. So let's say, if I’m offered a big role overseas for like 6 months, I’d say bye, but I have absolute faith that we’ll still be close. I would say that if the same thing happened to her, and as a mother, if I said that you’re not allowed to go “because I need you here with me”, then we’re not close anymore already. It breaks everything.
Shi-An: I think learning to be independent is a good thing, so no, not at all. I think we have a lot of faith in the fact that we are close and that we will always be. So no matter like where I am, it’s no longer a physical thing. Home becomes a feeling; it’s not tied to a tangible space.
Home is far more than just a roof over our heads: it’s a safe space where we can retreat, recharge and release. With our latest Shophouse Jade Collection, Choo Yilin features sleek, clean jewellery inspired by Shophouses in Singapore, as a tangible metaphor for the feeling of being home. Each piece is made to be a wearable memento of the space where we can be our true selves, with the ones who know us best and love us all the more for it. We hope you find a piece in the collection that catches your eye, tugs at your heart and makes you feel right at home wherever you go.